Publié le 20 Février 2018

For this year's Nutan ki janmadin, I have decided to make you discover how attached she was to her animal friends. She was mostly a dog-lover, it seems, and apparently it was a family thing. 22 dogs at home, at one point, says Mohnish!! Here are first...

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Publié dans #Nutan

Publié le 10 Janvier 2018

Woman to woman is the first book I read by Madhulika Liddle. She’s written more, of which I had been aware, since I read her blog where she had mentioned them, but for some reason I had relented until now. It’s a quickly read collection of 12 short stories,...

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Publié le 10 Novembre 2017

This 1990 movie was Ray’s last but one, only to be succeeded by Agantuk a year later before his death. Its title means “branches of the tree”: the film deals with a family situation and so the genealogical reference is clear; but the tree is such a powerful...

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Publié le 19 Octobre 2017

Ok, voilà la partie « plus » du voyage, qui s’est trouvée rajoutée sans préméditation, car cette journée à Mandawa pour Divali n’était pas prévue… Je devais avoir une troisième journée de cours à BK BIET et comme je l’ai dit, je crois, le directeur s’est...

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Publié le 17 Octobre 2017

La Conférence ICCS est maintenant terminée, et en ce qui me concerne, je suis satisfait d'avoir pu faire ma petite présentation sur "The importance of language in communication", pour laquelle j'avais quand même passé du temps, avant de venir en Inde,...

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Publié le 15 Octobre 2017

Ouf! la journée n'est pas encore finie; il y a encore tout à l'heure le repas avec animation devant la guesthouse comme le premier soir, mais déjà la journée a été bien fatigante! Matinée occupée par la série de speeches par des industriels invités pour...

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Rédigé par yves

Publié le 14 Octobre 2017

De retour dans la douce Pilani, où le léger voile matinal nous caresse gentiment, et en attente du début des festivités de la Conférence ICCS, voici quelques nouvelles du voyage qui m'a amené ici. Le vol Air India s'est bien déroulé, la nuit à bord aussi...

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Publié le 3 Juin 2017

Bollywood actress Nutan talks about Bimal Roy... "We have very few directors like Bimal Roy to begin with but what made him special that he was not a jack of all trades, he was master of all trades. He was a very good cameraman, very good photographer,...

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Publié dans #Nutan

Publié le 8 Mars 2017

Sunny Pawar Before knowing that Garth Davis was a successful commercials director, I stood up from the screening of his first feature movie, Lion (2016) telling myself, “well now, that was nice, but rather commercial”. Not everything is bad about commercialization:...

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Publié le 15 Juin 2016

It seems appropriate today to speak about Firaaq, a 2008 movie which is Nandita Das’s debut film venture, based on the 2002 Gujarat anti-Muslim riots, in which Indian PM Modi had been suspected of biased non-intervention. Today, because the pressure of...

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Publié le 3 Juin 2016

The long-awaited 80th anniversary of Nutan's birth has arrived! On top of being able to order Lalitha Tamhane's book in its English version (hopefully, I'll try asap), here's an article which, in agreement with Seema who had wondered if this contribution...

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Publié dans #Nutan

Publié le 9 Mai 2016

Why did I decide to read EM Forster’s A passage to India? Probably no other reason than it’s about a European’s vision of India and I had enjoyed some other books by the same author, Howard’s End and A room with a view. Then there was a film to watch...

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Publié le 2 Mai 2016

Went to see Parched (2015), by Leena Yadav, of (not good) Shabd fame. So I was a bit wary of what was to come. What came was a rather pleasant surprise, I’m happy to say. Parched is the story of four gujarati women, stuck all four of them in male-dominated...

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Publié le 2 Avril 2016

Thanks to Anu Warrier’s Conversations over chai, I have just been the fortunate viewer of Astitva, by Mahesh Manjrekar, a film which was shot in 2000. If you haven’t read her review, please do, it’s a thoughtful, well-balanced commentary of the movie,...

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Publié le 23 Mars 2016

It’s weird how when one starts wondering about a Satyajit Ray movie, one is faced with lots of people telling everyone it’s a masterpiece – this 1969 movie is even somewhere graced with the ubiquitous title of Ray’s best film ever – and how so little...

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Rédigé par yves